照明展示空间设计：深入分析与创意灵感-明大装潢网

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In "codex urbinas", Leonardo da Vinci said that shadows are mirrors of objects; without shadows, it is difficult for people to correctly understand hard, opaque objects. From Galileo's "sidereus nuncius" knows that shadows have the ability to stretch or shrink themselves, or shrink to almost disappear, revealing the mysterious veil of the lunar surface and giving me a shadow, I will create shapes for you.

如果光有体积，它就有厚度，如果它能投射阴影，它就有体积。阴影由灯光而生，灯光会创造界定空间的体积。

The light certainly has volume if it can cast shadow, and the light must have thickness if it has volume. Shadows arise from light, which can create volume that defines the space.

被感知的光，让光成为体积下的主角。

The light will be the protagonist under the volume if it can be perceived.

盛田嘉展厅设计，对我们来说是让光做主角的场域，我们曾经想过用更纯粹的表现手法，来体现他的存在，但却发现对光而言，阴影同样重要。所以我们要做一场关于向阴影致敬的演绎。叙述一段让光变得有态度的故事。

The exhibition hall design of CETTiGA Lighting, for us, is a field that makes the light as the protagonist. We have ever thought to reflect its existence with much purer expression techniques, but found that the shadow is equally important for light. Therefore, we are going to give an interpretation that pays tribute to the shadow, as well as tell a story that makes the light become attitudinal.

那么如何用纯粹的手法来体现这个“光”为主题的空间呢？我们告诉自己，也许现代社会用于表达形式的方式有很多，这个世界并不缺少让我为之悦目的表皮材料。但这真是我们想要的吗？我们需要让空间赋予我们一个华丽且震撼的艺术表现文本吗？还是需要一个让我们为之动容且静谧的思想空间？显然最后我们选择了后者。

Then how to use pure techniques to reflect this space that takes "light" as the theme? We tell ourselves that there may be many ways of expression in modern society, and the world does not lack surface materials that make us pleasing. But is this what we really want? Do we need a space that gives us a gorgeous and shocking artistic expression text, or a quiet thinking space that makes us moved? Obviously we chose the latter.

我们需要用克制的表现手法。只使用那些必要的资源和元素，尝试从更少中得到更多，让光和材料在这个空间中找到他们最大的表现形式。

We need to use the expression way of restraint, only using those neces-sary resources and elements and trying to get more out of it. That is how we can make the light and materials find their biggest expression in this space.

设计逻辑

形式引起功能形式没有形状和尺寸，它不是你所看到的，它是你所看到的开始，事物的起点原生写载着一些后来的叙事线索和结果。于是观察“起点”是判断取舍中比重极大的部分，我们常常因为“起点”的样子决定是否要进入某一段事物。

The functional form, which has no shape and size, is just the beginning of what you see instead of what you see. The starting point of things carries some narrative clues and results later. Therefore, the "starting point" of observation can influence the judgment to a great extent, and we often decide whether to enter a certain thing because of the "starting point".

那么事物的起点就是我们想要通过一个弧形的曲面作为参观前的诱导，从而将参观者引入到这个以光为主题的展场内部，并且希望进入展区的方式和离开展区的方式能给体验者不同的感受。

Then the starting point of things is a curved surface considered to be a pre-visiting induction so as to introduce visitors into this exhibition hall with light as its theme. Besides, we want to give experiencers different feelings through the entrance way and departure way of the exhibition area.

为了不希望一眼望透展区内呈现的内容，首先利用空间的纵深，我们设置了一个由体块构成为了呈现光效和阴影的展面作为入口的主动线，通过一种渐进式的递进关系层次让参观者在预想好的展场边缘游走，利用展场的开间尺度，我们将环形动线内的区块比拟成一个衔接这个连廊的湖中之亭，由于环形动线与分枝动线的穿插交织，游览者视线在所处不同差异空间的现场关系变得更加惟妙惟肖扑朔迷离，让观者体验到不同的位置感受。

In order not to present the whole exhibition area at first glance, with the use of the depth of the space, we first set up a main moving line as the entrance composed of body blocks to present the light effect and shadow, which allows visitors to walk on sides of the expected exhibition space through a progressive relation. With the opening scale of the exhibition hall, we compare the block in the circular moving line to a pavilion that connects the corridor. Due to the interlacing of the circular moving line and the branching moving line, the field relationship of visitors' sights in different spaces will become more vivid and confusing, allowing viewers to experience different positions.

项目名称 | 盛田嘉CETTIGA照明展间

项目地址 | 广东省佛山市